Hans Peter Stubbe Teglbjærg

Stilling
lektor
Uddannelsesretning
Komposition
Fagområde
Elektroakustik
Komposition
Område
Undervisning

Hans Peter Stubbe Teglbjærg (f. 1963) er uddannet i instrumental og elektronisk komposition fra Det Kongelige Danske Musikkonservatorium i København af Ib Nørholm og Ivar Frounberg. Han har studeret privat hos Jan W. Morthenson (Stockholm) og har også studeret computerkomposition på Institut Voor Sonologie i Haag og på IRCAM i Paris, hvor han desuden var ansat som underviser og forsker.

Han har en stor interesse for instrumenters fysiske/akustiske karakter og fænomenologien bag naturlige lyde. ”At gennembryde lyden for at blive i stand til at komponere den” er hans inspiration og afsæt til at bruge moderne teknologi i forbindelse med komposition. Han har haft utallige samarbejder med IRCAM, særligt det fysiske modelleringsbaserede arbejde ”Ripple Seeds” (2009) for basklarinet og elektronik.

Undervisning

Siden 2001 har han undervist på det Kongelige Danske Musikkonservatorium i elektroakustisk komposition og i 2007-2015 underviste han på Syddansk Musikkonservatorium i 3D lyd. Han har desuden siden 1995 været fast vært, når IRCAM præsenterer nye musikteknologier.

Kunstnerisk praksis

Hans Peters værker er blevet opført i Europa, USA, Canada og Australien – ofte i tæt samarbejde med musikere, som er specialiserede i at oversætte og opføre ny musik som fx klarinettisterne, Pierre Dutrieu, Vasko Dukovsky & Anne Klett, percussionisterne Mathias Reumert & Roland Auzet, Ensemble SIC, KlangForum Wien, saxofonist Daniel Kientzy, Ars Nova (Malmø), harpenist Ernestine Stoop, Harpecore, violinist Bodil Rørbech, mezzosopran Helene Gjerris, Signe Asmussen, Torben Snekkestad, Ivo Nilsson, Figura Ensemble, Dansk Saxofon Kvartet, Ensemble 2000, Athelas Sinfonietta Copenhagen, Avanti Ensemble og Århus Symfoni Orkester.

Hans elektroniske musik har været opført vidt omkring på forskellige festivaler inden for genren og er blevet udgivet på labels som DaCapo, Media Artes og Kontrapunkt.

2009-2011: Ansat som huskomponist ved Aarhus Symfoni Orkester, som han skrev to orkesterværker til.

2016-2018: Ansat som huskomponist ved Music Innovation Studies Center (Vilnius), hvor han komponerede en stort anlagt (3D) trilogi.

2019-2021: Ansat som huskomponist ved ACROE (Grenoble), hvor han komponerede 2 nye elektronisk-akustiske værker baseret på Physical Modelling.

2019-2021: Residerende kunstner hos ZKM (Karlsruhe), hvor han producerede et værk for cello og integreret live-elektronik.

2021-23: Gæstekomponist hos IRCAM (Paris)

I 1996 modtog Hans Peter et 3-årigt legat fra Statens Kunstråd. Han har desuden modtaget adskillige rejse- og arbejdslegater bl.a. fra Statens Kunstfond, Danmarks Nationalbanks Jubilæumsfond, Augustinus Fonden og Sonning-Fonden.

Orchestral Music

  • 2009 The Voice of Dhruva (22' mezzo soprano, small orchestra) premiered by Århus Symphony Orchestra 5/2009.
  • 2011 Jumnas Flood (24' soloists, orchestra, and soundscapes) premiered by Århus Symphony Orchestra 4/2011.

Chamber Music

  • 1985 ...AF... (25' bassoon, cello, 3 percussions) premiered in Reykjavik 9/87.
  • 1986 Skel (9' saxophone quartet) premiered in Copenhagen 5/87.
  • 1987 Re (15' saxophone quartet) premiered in Copenhagen 2/99.
  • 1988 Kpo (18' violin, cello, piano) premiered in Helsinki 9/90.
  • 1996 RUI... (13' oboe, clarinet, bassoon, violin, viola, cello & resonators) premiered Esbjerg 5/97.
  • 1998 Quad (12' flute, clarinet, piano, percussion, viola, double bass) premiered at NUMUS 4/2000.
  • 2000 4 BacH spejle (10' clarinet, marimba, cello, double bass) premiered at Louisiana Art Museum 8/2000.
  • Once ... (12' flute, clarinet, guitar, perc, violin, cello and electronics) premiered The Danish Radio 10/2000.
  • 2005 Stille Leben (12' saxophone quartet) premiered at "den Frie udstilling", Copenhagen 9/2005.
  • 2011 Tubus Tabulae (13' bass clarinet) written for Pierre Dutrieu, Paris 11/2011.
  • 2012 Alumina Elastico (10’ aluphone/vibrphone) written for Henrik Larsen, premiered Århus 4/2013.
  • 2014 Lost Delights (18' alto flute, viola, harpe) to be premiered in 2014/15 by the Jutlandish Harptrio.
  • Ocean Infinity (18' mezzo soprano, violin, guitar) premiered 6/2014 at Sønderho Guitarfestival, DK.
  • 2018 Spin Dusty Winds (18' saxophone quartet) premiered in Fanø 7/2018.
  • 2019 Spectral Piano (3' piano) premiered in Paris 5/2019.

Vocal Music

  • 1988 Du (8' mezzo-soprano, cello, percussion) premiered in Copenhagen 9/90.
  • 1996 Sanskrit-songs (10' mezzo-soprano, oboe, guitar), premiered in Copenhagen 3/97.
  • 1997 Også Alligevel .. (10' soprano, piano) premiered in Holbæk Kunstforening 3/98.
  • 2 Arabesker (11' mezzo-soprano, bass-clarinet, piano) premiered in Copenhagen 9/98.
  • 1999 A mon Seul Désir (10' mezzo-soprano, double bass, percussion) yet to be premiered.
  • Eoiai (12' mezzo-soprano, saxophone quartet) premiered at "den Frie udstilling", Copenhagen 2/2004.
  • 2002 Faust-Gesänge (10' mezzo-soprano solo) yet to be premiered.
  • 2006 Lydskrifter (12' soprano solo) premiered at "Fanø Kunstmuseum", Fanø 9/2007.
  • 2012 I See Red! (15' mezzo-soprano, soprano-saxophone, bass clarinet, video), Copenhagen 4/2012.
  • 2013 Is she Dead? (15' mezzo-soprano, clarinet, tenor-saxophone, video), Copenhagen 11/2014.

Instruments with electronics

  • 1991 Ar (20' accordion solo, live electronics) premiered at Lerchenborg 7/91.
  • 1991 Zonar l (10' pianola) premiered in Den Haag 12/91.
  • 1992 Zonar ll (20' computer) premiered in Utrecht 3/92.
  • 1993 Scrads (16' 2 celli, live electronics) not yet premiered.
  • 1994 Epi (18' percussion solo, live electronics) premiered in Paris 1/95.
  • 1996 Masks (12' violin solo, live electronics) realised at ZKM (DE) premiered in Copenhagen 3/97.
  • 1997 Mere Lys! (12' mezzo solo & live electronics) premiered at "KulturNatten", Århus 5/98.
  • 1998 Rhizome (11' harpe solo & live electronics) realised and premiered at ACROE, Grenoble, France.
  • Double (15' violin solo & live electronics) realised at DIEM (DK) yet to be premiered.
  • 2001 Dif:rq! (14' saxophone(s) & live electronics) written for META-duo, France, premiered Paris 5/2001.
  • 2006 Time Rocks (13' alt-trombone & live electronics) written for Ivo Nillson, Sweden, yet to be premiered.
  • 2006 Isola Sopra (13' sopranino saxophone & optional live electronics) written for Daniel Kintzy, Paris 2012.
  • 2007 Michroma! (14' percussion & live electronics) written for Mathias Reumert, Stockholm New Music 2008.
  • 2008 Koba Qunar II (10' clarinet & live electronics) written for Anna Klett, ICMC, Belfast, 8/2008.
  • 2009 Rippled Reeds (12' bass clarinet & live electronics) written for Pierre Dutrieu, IRCAM, Paris, France, 10/2009.
  • 2010 Mbirimba (20' percussion & live electronics) written for Christian Martinez, Esbjerg, Denmark 11/2013.
  • 2011 Fluxus I (12' soprano saxophone & live electronics) written for Torben Snekkestad, Denmark.
  • 2011 Fluxus II (15' saxophone(s) & live electronics) in collaboration with Torben Snekkestad, Denmark 09/2011.
  • 2012 Pulsar ... [study] (8' disklavier) premiered at PULSAR festival, Copenhagen 3/2012.
  • 2012 Stringed Spaces (12' cello & live electronics) premiered at Royal Danish Academy of Music, Copenhagen 4/2014.
  • 2015 Aulodian Reed (14' oboe & live electronics) premiered at Jutlandish Academy of Music, Århus 3/2016.
  • 2015 Aesthetic Fabric I&II (20' accordion & live electronics) premiered at Open Days, Aalborg 9/2016 & RDAM 11/2016.
  • 2016 Pulsar II ... [study] (8' disklavier) premiered at PULSAR festival, Copenhagen 3/2016.
  • 2017 Pulsar III ... [study] (4' disklavier) premiered at PULSAR festival, Copenhagen 3/2016.
  • 2017 Pulsar IV ... [study] (12' disklavier) premiered at NIME festival, Copenhagen 5/2017.
  • 2019 Pulsar V ... [study] (12' disklavier) premiered at DKDM, Copenhagen 5/2019.

Computer Music

  • 1993 Catalog l-lV (20' computer-generated sounds) not performed.
  • 1995 OUAEI (10' 2 ch.), premiered in Utrecht 4/95.
  • 1998 Aïra (12' 4 ch. of computer-generated sounds) realised and premiered at Media Artes (S).
  • 1999 Iliou Persis (18' 8 ch.) realised at DIEM premiered at Glyptoteket, Copenhagen 10/99.
  • Hanstholm V (12' 8 ch.) realised at DIEM as part of a serie of "soundscape" pieces, premiered in Århus 12/99.
  • 2000 Rhizome II (12' 5.1 ch.) realised at DIEM premiered at "Øst for Paradis", Århus 5/2000.
  • 2001 the Blood ... (4' 2 ch.) realised in the composer’s studio, premiered 2005.
  • d'après Saxologie (10' 4 ch.) realised in the composer’s studio, premiered "Elektron Musik Festival" Växjö 10/01.
  • 2006 Koba Qunar (15' 4 ch.) realised in the composer´s studio, premiered PULSAR festival, Copenhagen 2006.
  • Fluid Rocks (12' 5.1 ch.) realised in Alphas studio, VICC, premiered Dark Music Days, Reykjavik 2007.
  • 2007 Regime_S (15' 4 ch.) realised in the composer’s studio, premiered at "Enaction in Art" Grenoble 2007.
  • 2011 the Blood II (8' 8 ch. computer) realised in own studio, premiered at "Electro Concert", Copenhagen 2011.
  • 2013 Subvision II (14’ 6 ch. computer, video) realised in own studio, premiered at PULSAR, Copenhagen 2013.
  • Over & Under (13’ 6 ch. computer) realised in own studio, premiered at Electro Concert", Copenhagen 2013.
  • 2014 Regimes II (15’ 6 ch. computer, video) realised in own studio, premiered at PULSAR, Copenhagen 2014.
  • 2016 Lunar Maps (14’ 8 ch. computer) realised in own studio, premiered at National Observatory, Athens 2016.
  • 2016 Lunar Maps II (20’ 2 ch. computer) realised in own studio, premiered at Musikkens Hus, Fanø, 2016.
  • 2016 Spherical Island (20’ 24 ch. computer) realised in Innovation Studies Center, premiered at Vilnius, 12/2016.
  • 2017 Spherical Bridge (22’ 24 ch. computer) realised in Innovation Studies Center, premiered at Vilnius, 12/2017.
  • 2018 Spherical City (24’ 24 ch. computer) realised in Innovation Studies Center, premiered at Vilnius, 12/2018.
  • 2019 Anamorphic Circle (15’ 24 ch. computer) realised in ACROE (France), premiered at Grenoble, 10/2019.

Chamber Opera & Theater Music

  • 1989 Visdamen (30' coleratura, mezzo, barytone, flute, trombone, cello, harp, percussion), Libretto by poet Kirsten Fidonc Hansen, premiered at Lerchenborg Musicadays 7/89.
  • 2002 Faust (75' mezzosoprano, 3 singing actors), stageplay after Goethe's classic play. Libretto by Jesper B. Carlsen, premiered at Theatre la Balance, Vanløse 4/02.
  • 2010 Les Ariels (52' 1 actor, 5 video-projectors and multichannel soundscapes), stageplay produced by Compagnie Mediane, Strasbourg, premiered 12/10. Video-projection Joakim Echert, Photos Bart Kootstraa, Manus and Idea Cathrine Sombsthay.
  • 2014 Horizonts (65' 1 actor, 5 video-projectors and stereo soundscapes), stageplay produced by Compagnie Mediane, Strasbourg, premiered 2014. Art Plastique Pierre Mondrian, Manuscript and Idea Cathrine Sombsthay, Musique HPST.
  • 2017 Sommervækster (40' 1 actor, voice & live electronics), stageplay produced by TeaterBLIK, Fanø, DK, premiered 4/2017. Freely after Tove Jansson, Manus and Idea Gertrud Exner, Musik HPST.

Music for Video

  • 1988 Nat (7' video, analog synthesziser sounds) projected in Copenhagen 10/88. Made in collaboration with Trine Walther & Berit Møller.
  • 1995 Les couleurs du corp (4' video, computer-generated soundtrack) projected in Paris 9/95. Made in collaboration with shortfilm-maker Geneviève Anhoury.
  • 2003 Hav under hud (30' video, computer-made soundtrack) premiere projection Aalborg, Aarhus, Copenhagen 2004. Made in collaboration with danse-choreographer Jytte Kjøbæk.
  • 2015 Den Kymatiske brønd (6' video, field-recordings) premiere Innovation Studies Center, premiered at Vilnius, 4/2016.
  • 2019 Spherical Fountain (8' video, field-recordings) premiere Innovation Studies Center, premiered at Vilnius, 9/2019.

Audiovisual installations

  • 2005 Subvision (any duration) commissioned by the SPOR festival 5/2005 for projection in “the Fabric”, Aarhus.
  • 2007 Lydlandskaber (30') commissioned by the Fanø Kunstmuseum for projection at "September Gruppen”, Sønderho.
  • 2009 SORT og HVID (any duration) commissioned by the Fanø Kunstmuseum for projection at "PÅ TRÆK”, Sønderho.
  • 2010 Ved Havet (45') recitor, saxophones, live electronics, Premiered Vadehavsfestival 2010, Lakolk, Rømø.
  • 2012 Havblik (60') designed soundplate, live electronics, Premiered Vadehavsfestival 2012, Esbjerg, DK.
  • 2014 Over & Under (60') underwater concert, premiered Vadehavsfestival 2014, Esbjerg, DK.
  • 2015 RESONANCE (60') 5 installations-concerts, premiered Esbjerg Kunstmuseum 2015, Esbjerg, DK.
  • 2016 Montana Mix (60') installation-concert, premiered Vadehavsfestival 2016, Esbjerg, DK.
  • 2018 The Eye of the Dragon (15') designed for China Day at Royal Danish Academy of Music Copenhagen, 9/2018.

PUV / KUV

  • The Nonlinear Spring. IRCAM 2009-11 (first version), 2014-19 (second version).
  • Disklaverstudier – Hans Peter Stubbe Teglbjærg (Danish project description) 2015-17
  • Narrative Rum - Immersive Audio 2017-18
  • Establishing a permanent 3D spherical speaker-system for educational and concert use. 2018-19
  • “Klangens Kobling - om at komponere med nonlineære elektroakustiske instrumenter” IRCAM/ DKDM 2021-23
  • Chairman of UNM (Ung Nordisk Musik) 1988-91
  • Board member at DIEM (The Danish Institute of Electronic Music) 2000-01
  • Board member at MHF (Musikkens Hus Fanø) 2011-now 
  • Censor at all types of EA examines at DKDM since 2001
  • Member of the recruitment committee for the tonmeister-lectureship 2015

 

CD-udgivelser

Hans Peter Stubbe Teglbjærg
Electronic Works
www.hpst.dk/CDrelease.html

Fernando Gomez Evelson, Rolf Enström, Bo Rydberg, Jonas Broberg, Hans Peter Stubbe Teglbjærg, Bent Lorentzen
Aira
Media Artes CSCD 00027

Sunleif Rasmussen, Hans Peter Stubbe Teglbjærg, Morten Olsen, Jens Hørsving, Ivar Frounberg
Dif:rq!
Meta Duo
Dacapo 8.226515

Hans Peter Stubbe Teglbjærg, Morten Carlsen, Jørgen Teller, Hans Sydow, Gunner Møller Pedersen, Wayne Siegel
Iliaden
Dacapo 8.224198-99

Jesper Hendze, Flemming Chr. Hansen, Kjell Roijker, Ib Nørholm, Hans Peter Stubbe Teglbjærg, Bent Lorentzen
SKEL
New Danish Saxophone Quartet
Kontrapunkt 32051

Artikler

2005-06/04 Dansk Musiktidsskrift « Hvem klikker det for ?»

About the updating of the performance practice of a historical danish electronic work (EMP).

https://www.seismograf.org/dmt/80/04/hvem-klikker-det

2001/02 Dansk Musiktidsskrift « Jørgen Plaetner – en pragmatisk idealist »

Portrait of composer Jørgen Plaetner.

https://seismograf.org/dmt/77/02/en-pragmatisk-idealist-1-del

https://www.seismograf.org/dmt/77/03/en-pragmatisk-idealist-2-del