Entrance examinations for guitar

The entrance examination consists of the following elements:

• Principal study audition
• Supporting subject: aural studies / theory test

Principal study (duration: 40 minutes incl. assessment)

A list of repertoire for the entrance examination must be enclosed with the application form. The audition in the principal study consists of these three tests:

1st test: Set/self-chosen tasks, etudes, scales (duration: 15-20 minutes)

• All scales in two octaves
• Piece chosen by the applicant from the Renaissance or Baroque period with a degree of difficulty similar to e.g. J. S. Bach: Prelude in D minor, BWV 999 or L. Milan: 6 Pavanes.
• Piece chosen by the applicant from the Classical or Romantic period with a degree of difficulty similar to e.g. F. Sor: Minuets, F. Tárrega: Estudio en forma de minueto, or M. Giuliani: Rondo, C major from Sonatina, op. 71, No. 1.
• Piece chosen by the applicant from the 20th century with a degree of difficulty similar to e.g. H. Villa-Lobos: Préludes, or Vagn Holmboe: 5 Intermezzi.
• The chosen pieces must contain slow as well as faster varieties of movements.

2nd test: Set task

A proposed task which is emailed to the applicant 7 days before the entrance examination takes place.

3rd test: Sight reading

Sight reading of a not too difficult composition notated in G clef e.g. F.Sor: Etudes, op. 60, no.12

Assessment

The entrance examination is assessed by two internal examiners and one external examiner. Three separate marks are awarded according to the 7 point grading scale. 1 in each of the above-mentioned test. The test will be passed succesfully, only if the applicant has achieved a minimum mark of 02 in the principal subject examination. If the applicant passes the principal study audition, he or she then takes further examinations in supporting subjects. These examinations are identical for all Bachelor programmes.

The entrance examination for the Bachelor's programme is online. It consists of four rounds, and an online screening of aural training and theoretical skills. Applicants must pass the first round to proceed to the second, and the second round to proceed to the third and so on—these rounds are sequential and prohibitive.

1. Audition recording – part 1
2. Audition recording – part 2
3. Set task
4. Interview

All four parts of the entrance exam must be passed. 

The screening of aural training and theoretical skills is mandatory but not prohibitive.

1st round - Audition recording – part 1
A recording of the audition repertoire.  Requirements for the repertoire and the recording are listed below.

2nd round - Audition recording – part 2
A recording of the audition repertoire.  Requirements for the repertoire and the recording are listed below.

3rd round - Set task
RDAM will provide applicants with a set task 7 days before the application deadline. 

The set task must be uploaded together with the rest of the application before the deadline. The aim of the set task is to assess how far an applicant can progress with a piece they likely have not encountered before. It is important to underline that there are no formal requirements to the quality of the recording of the proposed task. I.e. using a smartphone on the music stand is perfectly fine.

The set task will be available here 20 November 2026.

4th round - Interview
The conversation will assess language skills and general communication and reflection abilities in English. The submitted letter of motivation and repertoire list will form the basis for the interview, but many different subjects may be addressed. 

Based on the above, RDAM will decide if the applicant is recommended for admission.

Repertoire requirements for the audition recording

Duration: 15-20 minutes

Audition recording – part 1:

• Piece chosen by the applicant from the Classical or Romantic period with a degree of difficulty similar to e.g. F. Sor: Minuets, F. Tárrega: Preludes, or M. Giuliani: Rondo, C major from Sonatina, op. 71, No. 1.

Audition recording – part 2:

• Piece chosen by the applicant from the 20th century with a degree of difficulty similar to e.g. H. Villa-Lobos: Préludes, Reginald Smith Brindle : Do not go gentle or Leo Brouwer : Estudios Sencillos.  
• Chosen by the applicant from the Renaissance or Baroque period with a degree of difficulty similar to e.g. J. S. Bach: Prelude in D minor, BWV 999 or L. Milan: 6 Pavanes or John Dowland : Go From My Window.

The chosen pieces must contain slow as well as faster varieties of movements.

Requirements for the audition recording

• The audition recording must be unedited except between performances (i.e. between pieces), and the audition must be recorded within six months of submitting your application.
• The audition recording must clearly show the applicant, including face and hands.
• Check that the recording submitted is accessible and that all recordings have been submitted successfully.
• Accepted formats: mp4, mp3, webm and mpeg (not mov).
• The maximum size of a file that can be submitted in the online application is 1GB. Therefore, it might be necessary to divide your audition recording into individual pieces (please remember not to edit within a piece of music).  

For extra guidelines on video recording, please watch our video. If YouTube is not available in your country, the video can also be accessed here.

Supporting information to be prepared when applying

Repertoire list: Applicants must submit a repertoire list with works/pieces/studies they have previously worked on in their application. 

Ensemble and/or orchestra playing: Applicants should describe their experiences in playing in orchestra/choir or smaller ensembles i.e. which kind of orchestra/ensemble, duration, repertoire.

The entrance examination consists of an audition in the principal study.

The applicant must perform:

• 3 or more movements from different periods of style of a total duration of 20 minutes. The programme should contain one etude by Heitor Villa-Lobos and a newer composition.

Duration of the entrance examination max. 20 minutes (30 minutes including assessment).

The entrance examination is assessed by two internal examiners, and a grade is awarded according to the 7 point grading scale. The entrance examination can end with a five-minute conversation about the applicant's motivation for applying, career considerations, etc. The conversation does not affect the grade but is used for mutual matching of expectations about the education.

The entrance examination for the Master's programme is online. It consists of four rounds. Applicants must pass the first round to proceed to the second, and the second round to proceed to the third and so on—these rounds are sequential and prohibitive.

1. Audition recording – part 1
2. Audition recording – part 2
3. Set task
4. Interview

All four parts of the entrance exam must be passed. 

The audition in piano as a supporting subject is mandatory but not prohibitive.

1st round - Audition recording – part 1
A recording of the audition repertoire.  Requirements for the repertoire and the recording are listed below.

2nd round - Audition recording – part 2
A recording of the audition repertoire.  Requirements for the repertoire and the recording are listed below.

3rd round - Set task
RDAM will provide applicants with a set task 7 days before the application deadline. 

The set task must be uploaded together with the rest of the application before the deadline. The aim of the set task is to assess how far an applicant can progress with a piece they likely have not encountered before. It is important to underline that there are no formal requirements to the quality of the recording of the proposed task. I.e. using a smartphone on the music stand is perfectly fine.

The set task will be available here 20 November 2026.

4th round - Interview
The conversation will assess language skills and general communication and reflection abilities in English. The submitted letter of motivation and repertoire list will form the basis for the interview, but many different subjects may be addressed. 

Based on the above, RDAM will decide if the applicant is recommended for admission.

Repertoire requirements for the audition recording

Duration: max. 20 minutes

Audition recording – part 1:

• An etude by Heitor Villa Lobos and  a piece of the applicants own choice with the same degree of difficulty as Fernando Sor : Introduction and Variations on a Theme by Mozart op 9. or Leo Brouwer : Elogio de la Danza.  

Audition recording – part 2:

• 2 or more movements from different periods of style of a total duration of 20 minutes. The programme should contain one etude by Heitor Villa-Lobos and a newer composition.

Requirements for the audition recording

• The audition recording must be unedited except between performances (i.e. between pieces), and the audition must be recorded within six months of submitting your application.
• The audition recording must clearly show the applicant, including face and hands.
• Check that the recording submitted is accessible and that all recordings have been submitted successfully.
• Accepted formats: mp4, mp3, webm and mpeg (not mov).
• The maximum size of a file that can be submitted in the online application is 1GB. Therefore, it might be necessary to divide your audition recording into individual pieces (please remember not to edit within a piece of music).  

For extra guidelines on video recording, please watch our video. If YouTube is not available in your country, the video can also be accessed here.

Supporting information to be prepared when applying

Repertoire list: Applicants must submit a repertoire list with works/pieces/studies they have previously worked on in their application. 

Ensemble and/or orchestra playing: Applicants should describe their experiences in playing in orchestra/choir or smaller ensembles i.e. which kind of orchestra/ensemble, duration, repertoire.

Form, content, and assessment of the examination

The entrance examination consists of a principal study audition, which is taken in two rounds. If you apply for the specialisation Soloist Artistic Research or Soloist with teaching qualifications (advanced level), there will also be a third round in your chosen specialisation.

You can read about the different specialisations and the content of the entrance exams here.

1st round – Video

The 1st round consists of a video recording with a duration of 20 minutes, where you play your chosen repertoire for the 1st round. The video recording must be uploaded in the application form.
You find the repertoire requirements below.

If you pass the 1st round, you will continue to the 2nd round.
We will send you the result from the 1st round in an email in the middle of May.

The 1st round will be assessed by two internal examiners and one external examiner with pass/fail.

Requirements for the video recording

• The recording of the entire 1st round must be one-take. You are allowed to take a sip of water or a short break between the pieces – like you would do, if it had been a live entrance exam.
• The video recording must be unedited.
• The video recording must be a maximum of six months old.
• We encourage you to record works with an accompanist, if the piece normally is performed with accompaniment.

Recommendations for the video recording

• See the Academy's guide for the best sound on your recording.

2nd round – At RDAM

The 2nd round will be held at RDAM between mid-May and end-June. If you pass the 1st round, you will be summoned for the 2nd round.

From mid-March, you can find a preliminary schedule of the dates for the 2nd round on How to apply - EU/EEA applicants and How to apply - non-EU/EEA applicants.

In the 2nd round, you will be asked to perform a programme of 30 minutes' duration. Please find the repertoire requirements below.

The 2nd round ends with a five-minute conversation about the applicant's motivation for applying, career considerations, etc.. The conversation does not affect the grade but is used for mutual matching of expectations about the education.

The 2nd round will be assessed by two internal examiners and one external examiner according to the 7-point grading scale.

Repertoire

The applicant chooses the repertoire, always subject, however, to the following rules:

• At least one work at one of the two rounds must be written after 1945
• Playing the same work at both rounds is not allowed.
• The works performed in the two rounds must together cover at least 4 stylistic periods.

Examples of type and difficulty of repertoire:

• J.S. Bach: A suite for lute
• M. Giuliani: Concerto No. 1, Op. 30
• B. Britten: Nocturnal after J. Dowland. Op. 70